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Posts Tagged ‘CD of the Month’

Ode to Sub Pop

Tuesday, March 31st, 2009

I’ve always been a fan of Sub Pop, but I’m extra excited about some new releases of theirs.

I guess I’ll let you in our April’s CD of the month a few hours early…it’s the debut album from Obits! Rick Froberg (Hot Snakes, Drive Like Jehu) is leading the group and also did the amazing artwork for the album. While I still can’t get enough of Alela Diane, I’m super excited for this album because it’s some of the best rock and roll I’ve heard in awhile. Froberg’s vocals sound simliar to Hot Snakes and there’s a great variety of super high energy garage/punk/surfy stuff.

The most recent of Sub Pop’s Deluxe Edition collection is “Bunny Gets Paid,” the third album from 90s-era Chicago group Red Red Meat. Now you can get ahold of the previously out of print album and seven extra rare tracks. These include a cover of Low’s “Words” and a super distorted version of Flock of Seagulls’ “Wishing.” Check this out if you like sad songs infused with blues riffs and lots of fuzz. This album is currently featured in 1190’s new rotation.

This one doesn’t come out until May, but I already pre-ordered it! “Enter the Vaselines” collects everything that was on “The Way of the Vaselines” plus 17 more songs of never-before-heard demos and live recordings. These Scots are one of my all-time favorite twee pop groups, but I was always so upset that their entire catalog fit onto just one CD. This is available for pre-order in a 3-LP set or on 2 CDs at a very pleasant price.

ALELA DIANE – To Be Still [Rough Trade]

Tuesday, March 24th, 2009

In a dive urbanized java-stop I’m giving a first listen to Alela Diane’s latest Rough Trade release, To Be Still. This CD is so deck it’s killing me, the grayed out bohemian goofing my mind through ear-buds and window reflections, typing on a single-finger keyboard and getting off to the effortless melodies and seemingly overcast lyrics. All the while tapping my foot and abusing the free Wi-Fi, searching out exactly who is Alela Diane Menig?

Running up and around the west coast between Northern California, S.F., and Portland brewed up the smooth loathing Psych Folk style Alela is becoming known for. Her lyrics float and sink on cloudy mountains and snow-covered paths. Windy relationships pull at this child like a sedated kite over a rocky beach. The range of her voice spans the clarity of Arctic ice and the mellowness of a 56 year old whiskey I just dug out of my dead father’s liquor stash.

Sniffing through the world-wideness does not give up much dirt on Alela’s backing band, except it consists of her father Tom Menig (Deadbeats), hipster Michael Hurley (hepcat fiddler with Son Volt, Calexico and Lucinda Williams) and a host of musically adept friends she keeps in her kitchen by feeding them grilled cheese sandwiches and smoky lyrics.

This 11 track CD is a complete joy and I predict it to be my top pick for 2009… now I am committed. The vocals are right out front and the accompaniment includes a diversity of stringed instruments (cello, fiddle, mandolin, banjo), plenty of tribal beats and interesting effects. It all fits so perfectly with Alela Diane’s vocals.

The eerie stillness of “Every Path” makes it my favorite track. Other joys of solace include the walking beat with steel guitar in “To Be Still” and the somewhat traditional folk sound of “The Alder Trees”.

Alela Diane Menig is playing SXSW this week, then directly off to the UK for a European tour through April. She returns to the states in early May to play Seattle’s Triple Door with Iron & Wine. I can only imagine the harmonic possibilities of a Sam Beam/Alela Diane duet.

Previous releases by Menig include The Pirate’s Gospel [Holocene Music, 2006] and two self-released EP’s, Forest Parade [2003] and The Pirate’s Gospel, [2004].

-Jay Niemoth

“To Be Still” is Radio1190’s CD of the month for March 2009.
Read more reviews at Vitamin Fuzz.